Everyone was so wooden, even the usually good Neeson and Fiennes. They looked a little uncomfortable with it, uncertain whether they should ham it up or take it seriously. The Kraken wouldhave been good had it been on screen for more than three minutes, and a lot of the film was just Worthington's deeply uncharismatic hero brooding. Even Gemma Arterton, who showed in Prince of Persia that she can do this sort of film, looked bored by the end.